Ana Bulovic is a Berlin-based composer, writer, theatre maker, and artistic researcher. She creates performances, installations, spatial sound works, and texts that make hidden relations perceptible: between bodies and memory, sound and social rules, audiences and performers, or humans and artificial agents.
With a background in computer science, contemporary dance, improvisation, and theoretical biophysics, she approaches composition as the design of conditions under which new forms can emerge.
Her current research, Music for Artificial Societies, develops world scoring as a practice for composing with AI agents that listen, remember, misread, and cooperate.
Selected Work
Every piece of music is a language of relationship. A World Score is not an instruction for sound — it is a small constitution: it defines how AI agents relate, what is remembered, when contradiction is possible, how value is assigned. Together, the agents form distributed, multi-channel sound societies — developing taste, loyalties, and disagreements we are only beginning to hear.
Individual voices — not adapted to a musical ideal, but taken as source material. Through live voice modulation and spatial sound, a new theatrical language grows from difference.
An immersive multi-sensory installation asking whether personal time and physical time are the same. Spatial design, sound, and video compose the dissolution of your sense of causality.
A 75-minute performance tracing transformation through music, movement, masks, and aerial imagery. From resistance to listening; from control to relation.
Eight simultaneous voices, each telling the story of a disappeared girl. The listener walks through the room, slowly building intimacy with someone who is no longer there.
Research & Projects
Each node is a project. The lines between them trace shared questions that persist across different forms — a research map, not a timeline. Projects belong to one or more worlds: Inner, Shared, Felt, or Emergent.
About
Born in Yugoslavia in 1989, based in Berlin.
I compose performances, installations, and spatial sound works that make hidden relations perceptible — searching for what remains untranslatable between body, language, and memory.
I am a former academic with a doctorate in Theoretical Biophysics from Humboldt University, Berlin. I left academia to refocus my research on the questions that began it: the organizing principles of living systems, and what they reveal about how meaning is made.
Credentials
I co-founded Turtle Mafia — a support network for idiosyncratic researchers working outside conventional institutional frameworks. Slow, serious inquiry, without the performance of productivity.
Contact
Write
to
me.
For presentations, commissions, research conversations, and collaborations.